Happy Place by Emily Henry Review

This is a spoiler-free review! You can read my reviews of Book Lovers and Funny Story on my blog, now!

I will admit, going into this book, I had heard rumbling this was not as "good" as Henry's other books. While I have only read two others, I wanted to remain hopeful and go into Harriet and Wyn's story with an open mind, and the premise of this novel did intrigue me. However, it is riddled with miscommunication that made me want to pull my hair out - they are adults in their thirties and cannot be honest with each other, it was maddening! Harriet and Wyn must navigate a weekend with friends while pretending to still be engaged, and honestly, they start to test each other on just how far they will go to keep up the rouse while trying to ignore their feelings. This would have been cute if it was based on college students or even a few years post-grad, but considering they are all late twenties / early thirties, it became painful.

Sabrina's character is overwhelming annoying to the point where every single time that she would basically force her friends to do everything she wanted, I wanted everyone to blow up on her. I understand that she was trying to be nostalgic one last time, but she became someone that everyone just seemed to make snide remarks about and how they did not want to do everything she was forcing them to do. You can see how the other characters entertain her plans, but the enthusiasm dwindles as the story goes on, and characters begin to become resentful. Even Parth seemed to just take everything without a fuss and considering he is her partner, you would like he would be the one person that would have been able to be honest with her.

The tension between Wyn and Harriet is so obvious, yet it was surprising that not a single one of their friends would have noticed this if they really were as close as it was presented. Obviously, friends can grow apart after college and pursuing different careers, but it just felt like they were all entwined in college and grad school, and this would have been something everyone would have noticed. Harriet and Wyn also seemed to have different goals in life and personalities, and while their meet-cute and eventual relationship progression was charming at first, I spent the entire book wondering how they were even together for so long before it all crashed down. I could not connect with any of these characters simply because they did not have any growth or development that warranted me to even become interested in their outcomes.

I found the lack of communication in this book to loom over the entire plot so much so that I could barely enjoy the few good parts of the story. You could see Cleo and Kimmy on edge and how much it started to affect the group, and with Wyn and Harriet's relationship ruse to keep everyone happy and not disrupt the week, I am surprised no one else seemed to catch on after the first day. Considering how much I enjoyed Henry's two other novels, I have to say this was a bit of a let down, and not only because I bought the hardback for $27 like three summers ago when it was published before I read anything of hers - what was I thinking!? 

If they ever made this one into a movie, I may consider revisiting it, but I can without a doubt say that you could not pay me enough money to read this book again. It will now be living on my shelf amongst the other literary fiction and contemporary romances with very bright, neon covers. If you are fine with the miscommunication trope and in the mood for a quick read, then maybe Happy Place can become your next happy place. I can only hope others can get more out of this book than I did.

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Yellowface by R.F. Kuang Review

This is a spoiler-free review!

I bought this book probably about a year ago and kept telling myself I was going to sit down and see what all of the craze was about.. well, I can finally check this one off my TBR! I read this book in one sitting in under three hours - once I started, I simply could not stop. While this is the first work of Kuang's I have read, I can definitely understand the appeal and the rave reviews she has received. The entire premise of this book is utterly intriguing and explores a narrative I have yet to come across while diving deep into the narrator's conscious as she attempts to justify her actions.

Juniper Hayward's first novel is a flop, while her Yale schoolmate and fellow novelist, Athena Liu, has acquired yet another pin in her hat - a Netflix deal for one of her books. When an unfortunate and tragic accident takes Athena's life in a blink of an eye, Juniper does the unthinkable - she steals the sole copy of Athena's latest manuscript and decides to pass it off as her own. Without the original author there to call her bluff, Juniper's life goes from luck-luster writer to overnight sensation - she receives praise, signs with a new editor and publishing house, and begins to receive all the nominations she was so envious of Athena accumulating. 

Not everything can be as easy as stealing a manuscript and passing it off as your own, it seems. The momentum is strong when the book finally is published, yet Juniper is haunted by the choice she has made. Readers see her try to reason with herself and justify her thievery while slowly slipping into the mentality that she truly wrote the book. Sure, she made some edits - and had some not so complimentary things to say about Athena's writing - but she enters this state of delusion as she digs herself deeper and deeper into this mess. And it is all not without consequence - as people begin to peace some things together, we see Juniper's initial weariness transpire into full-fledge paranoia.

Juniper truly believes she is entitled to the success that she has stolen from Athena, and it was baffling to see the lengths she was willing to go to keep everything under wraps. Not only does she have critics and the general public becoming suspicious of her "work," but she herself seemingly is becoming undone internally and begins on a path of unknowing self destruction. I cannot say that I feel bad for Juniper - she is at the center of this massive secret, and yet she does not even recognize what she has done once she gets in too deep. I truly think this book looks deep into the feelings of loneliness that Juniper was surrounded by, and to be frank, that Athena felt as well. Juniper mentions that novelists often do not have that many friends, and it is evident that is the case when it comes to these two. They cannot even call themselves friends to one another - they "spent" all this time "together" and only on maybe two nights of their lives were they able to make a worthy connection.

Intriguingly enough, I did find some of the "complaints" that Juniper had of Athena's writing riddled throughout this book itself - the prose that seemingly consumed Athena and thus turned some of her writing into rambles was slightly littered throughout Kuang's novel. The pacing certainly kept me locked in, otherwise I would not have been able to complete it so quickly - that being said, the sentence structure and flow permitted readers to remain engaged due to the short chapters. This book would be heaven for the booktwitter and booktok warriors - the on-the-nose commentary, Twitter quotes, one star Goodreads rating, and various think pieces of Juniper's capabilities - it was like I was experiencing a modern-day cancellation on page.

My overall feeling is that this book feels like it simply was not complete - there is more that could have been said, and if the author had decided to lean into Juniper's more crazed state earlier on, I think we would have been able to reach a more concrete conclusion. While I understand why she decided to end the book in such a way, it feels as though it was done out of necessity rather than satisfaction in the wrap of the story. As I have already noted, this is the first work of Kuang's I have dived into, but it still felt as though she is likely capable of more than what she provided here.

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Beta Vulgaris by Margie Sarsfield Review

This is a spoiler-free review! This book contains detailed descriptions of disordered eating, depression, and dissociation.

Elise and her boyfriend, Tom, take off to Minnesota for the sugar beet harvest, with Elise hoping that the money she earns from the harvest will hold off the never-ending bills and rent payments that come with living in Brooklyn. As she and Tom arrive to the harvest, strange occurrences haunt her journey and Elise begins to question the things she is seeing, hearing, and even herself. From strange and threatening text messages to the slow disappearance of her fellow harvesters, her trip to earn a paycheck quickly transforms into something much more sinister.

When Tom begins to form a close friendship with another sugar beet harvester, Elise becomes consumed with their relationship, sending her backwards into a spiral of depression, relapsing in her eating disorder, and questioning everything around her. With each passing day, Elise's paranoia takes a new turn, and her dissociation dives deeper as the sugar beet harvest calls to her in a way she never expected. The consumption industry's dark side takes root in Elise, and the sugar beets call to her, luring her further into their world of growth and destruction just as Elise is falling apart.

Sarsfield creates such a unique premise with this novel - both horror and caution, Beta Vulgaris takes a jarring turn as Elise and Tom's seemingly mundane journey is suddenly filled with vanishing coworkers and the allure of the beet pile. Even prior to arriving to the harvest location, the author pulls the readers into unknown territory along with her main characters, leaving us just as lost as they are. Unprepared for the drastic turns their story will take, Tom and Elise's relationship begins to fall to shambles the longer they become one with the beets. As they dig deeper to harvest, they are thrust deeper into madness.

To read about a main character that truly seems to have no appreciation for herself and just has genuine distaste for how her life is going is something I have not come across. My Year of Rest and Relaxation by Ottessa Moshfegh is the closest I can think of, but even that lead did not harbor dislike towards herself, but rather the idea of doing tasks and living every single day. Elise is so focused on just getting to payday that she neglects herself and instead places sole focus on why Tom is drawn to another harvester, Cee. She is consumed by anxiety and obsession with this development, and in turn is thrown back into her own past self-destruction. Every internal thought that consumed Elise's mind was boggling, and while I could not relate to her struggles, witnessing her thought processes felt like I was living them.

The entire concept of the sugar beets luring the harvesters into the beet pile was incredibly surreal and I felt as though I was slowly descending into madness as the beets called to the characters like sirens to sailors. Sarsfield's ability to turn these inanimate objects into things of power and persuasion illustrates her capabilities to entrance not only her characters, but the readers as well. I was left questioning the story as a whole, mostly because I felt as though I was sent through the looking glass and experienced an entirely different dimension.

For fans of Bunny by Mona Awad, Sarsfield's debut novel takes you on a journey of transformation, uncertainty, and the horrors of consumption. Literary fiction and horror intertwine in this consuming tale of self-destruction and fall into madness - I highly recommend picking this up if you are looking for something completely out of your element and willing to be thrown into Elise's compelling journey.

You can add Beta Vulgaris on Goodreads now, and follow the author to stay up to date on releases and publications.

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Funny Story by Emily Henry Review

This is a spoiler-free review! You can also read my review of Book Lovers on my blog, now!

I picked this up unexpectedly as I wanted to use up store credit at my local bookstore - I did not have the faintest idea of the book's plot, but since I enjoyed Book Lovers so much, I figured I would add it to my cart. Emily Henry seems to have such a way with writing unexpected pairings, and I found myself totally sucked into the absolutely insane predicament that Daphne and Miles were thrown into - I cannot even imagine being in their shoes. With relationships in shambles and exes off galavanting with each other, Miles and Daphne find themselves as roommates when their respective partners abandon them for one another.

Seeing how Miles and Daphne seem to have opposite personalities, their sudden living arrangements causing them to live one room over from one another proves to be more entertaining than either of them imagined. With an unconventional plan to make their exes believe there is something more going on between them than meets the eye, they form an unlikely alliance in order to make everyone believe that they are doing just fine. This was such a fun concept to me, and as a lover of the fake dating trope, I knew I was going to eat this book up as soon as I realized what was going on.

Daphne's relationship with Patrick was always playing it safe and following his lead, whether it came to working out together, spending time with his family, or eating certain foods. It felt as though Daphne could not be her own person in their relationship, and from an outsider's perspective, it was a relationship that was destined to fizzle out one way or another. Miles and Petra's relationship mirrored Daphne and Patrick's, in the sense that Miles was longing for something more while Petra was determined to have Patrick fall into the same ways as her family. While we do not get a super in depth look at both of the relationships, it is clear that they were on roads headed south, and it was only a matter of time before they fell apart.

I loved how much Miles was able to make Daphne come out of her shell and finally start living her life - from what we saw from her relationship with Patrick, the man was holding her back from experiencing everything life had to offer. And for a woman in her thirties, she certainly should have been taking advantage of her youth and exploring the area. On the other hand, Daphne's influence on Patrick when it came to sticking up for himself -- and often times, sticking up for Daphne -- showed how much he was able to mature and really take a look at his life.

If you are looking for a fun, fast-paced romance, Funny Story is in the cards for you. I do wish there were a few less pop culture references, only because I felt like they date a book and it gives off millennial vibes to me. Some plot points felt as though they were repeated from another one of Henry's works, but I still had an absolute blast reading this book, and can't wait to dive into another one of her works.

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Gambler (The Gentleman's Club, #1) by Lexy Timms Review

This review contains spoilers for Gambler.

In an exclusive and illegal card game, Jack wins a penthouse -- and Leo Monahan's daughter for a year. Initially taken as a joke, Jack soon finds out that this man is not joking, and Jack finds himself with a beach-front penthouse and a blonde woman in his bed. Jack is on some time of secret mission involving Leo and his business, and if he has to accept his daughter, Cassandra, for a year to get the job done, he will certainly do it.

Over half-way through the book, and Jack and Cassandra have had approximately four actual conversations with each other, and we have spent a huge chunk of time only learning Jack's backstory and involvement in the security business. 

At this point in the book, the only thing that we know about Cassandra is who her father is and that she is the one that is supposed to run his business one day, so she needs to shadow Jack at his business in order to learn something. There is in fact absolutely no mentoring done by Jack in this book, if you do not count him helping Cassandra try to launch her art consultant career behind her father's back.

However, that takes a quick turn as Cassandra and Jack find themselves in a fake-relationship situation in order to keep up appearances so Jack's old acquaintance, Walker, does not get suspicious of why they know each other. We really only get to see their tension in the second half of the book, with actual development finally at the very end. With this book being from both of their perspectives, you see the conflict that both of them have once they enter their little relationship agreement.

The plot moves very slow in the first 100 pages of the book, and it felt as though the author was dragging out background that could have been glossed over, or realized that she wrote so much background that she decided to try to wrap up the book very quickly. With the book being so short that it basically qualifies as a novella, I should not have been surprised with how little we had of Jack and Cassandra actually interacting with each other. 

We are left on a cliffhanger as Jack comes back to the penthouse after being beaten by a bunch of Leo's goons and he reveals to Cassandra that he is working undercover for the FBI -- total shocker. He spent the entire book running around making secret calls on burner phones and meeting with people that it was obvious he was up to something, but as a reader we did not know if he was worse than Leo or better.

I honestly was not sure if I wanted to continue on with this series, but based off of the ending and how short this book was, I might just have to keep on reading solely so that I can have closure on Jack and Cassandra. If you are looking for a quick, slow-burn, and fake-dating book with a dash of mafia-type undertones, this may be the series for you.

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A Certain Hunger by Chelsea G. Summers Review

This review contains very mild spoilers for A Certain Hunger. A list of trigger warnings can be found here.

Welcome to the NBC's Hannibal to girlboss cannibalism pipeline, so glad you could join us for dinner. We are taken into the mind of Dorothy, a woman jailed for her actions as a food critic turned cannibal, through her first-person memoir as she recounts her journey that led her to where she is. Dorothy is quick, frank, and gets straight to the point as she details her killings -- and recipes -- to the greatest extent. 

With each chapter focusing on a particular dish, accompanied often by a particular kill or experience, we gain insight on Dorothy's inner workings and her view on life, food, and the complications of feelings. She recounts her initial love for food and the day that she was thrown into a career as a food critic, her college days and friendship with Emma, and the countless entanglements she has with men who become meals.

Dorothy's meticulous planning of both her meals and her killings are done in such a way where both feel as though she is reading through a recipe book and adjusting the measurements to her own preference. She is sharp and calculated with nearly everything she does in her life, even after she is jailed -- we see it in the group therapy sessions, her refusal to allow Emma to visit her, and her acknowledgement of her never-empty commissary account.

She is at times reckless, and some could argue that the feelings she claims she does not experience make an appearance when she is at her most vulnerable. However, her recklessness is still coated in careful planning and has passion behind it, even if it ends in carnage. At times her killings are spontaneous, even taking her by surprise in the moment, and others have been brewing inside her for some time before executing them, much like her take down of a certain food critic magazine founder.

Some of the men that Dorothy killed were actually good people -- and even she admits that, literally during some of her plots she admits that some did not deserve the meal that they became, if only they had been more careful with their actions. Loyal to Dorothy, but not loyal to their wives. Unable to be persuaded to eat anchovies, but able to focus on it until his last breath. The men that Dorothy surrounds herself with all have flaws that may initially turn other people away from them, but draw Dorothy in -- perhaps the intrigue overshadows the indiscretions, perhaps the sex really was that good -- and that leads Dorothy down a road she expected she would eventually go down.

Summers stays true to the satire of early foodieism in the book summary as we see the exaggeration of Dorothy's superiority when it comes to cooking and ingredients, reviewing restaurants, and the transition from glossy printed magazines to the online buzzword food articles. From the preference of white truffle versus black truffle -- personally, I agree with Dorothy on the favoritism of the white truffle -- to the graphic depictions of Dorothy's crimes and acknowledgement of her elitism, Summers is able to create such a complex character that pulls traits from the likes of Amy Dunne of Gone Girl and Patrick Bateman of American Psycho.

The writing is extraordinary and I cannot believe this is the author's first novel -- it truly is one of the most compelling reads that I have come across as a reader. The complexity of Dorothy's character and relationships she forms with her lovers/meals, along with the friendship she has with Emma bring her character such depth that you feel as though you know everything you could about her in under three hundred pages. Dorothy is clearly not the perfect person, and a single slip-up being her downfall shows that even the most strategic killer can be brought down by a simple mistake.

A page-turning read that has you on the edge of your seat as Dorothy recounts every step she took that led her to where she is now, from Corpse Reviver #2 to barely edible prison food and cup noodle, we are taken on her journey fueled by rage, intrigue, and superiority. A must-read for readers looking to expand their literary genres and explore unhinged main characters that lead you to root for their success, even as they commit truly heinous acts.

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It Starts with Us (It Ends with Us, #2) by Colleen Hoover Review

This review contains spoilers for It Starts with Us. A list of trigger warnings for the first book in this duology, It Ends with Us, can be found here. You can read my review of It Ends with Us on my blog, here.

I read It Ends with Us five years ago, and I never thought there would be a book to follow it -- I was pretty reluctant at first when It Starts with Us was announced. Personally, I feel like too many people went into It Ends with Us thinking it was a romance book, when it is NOT. It needs to be explicitly clear that in no way, shape, or form is that book romantic in any way. It deals with domestic abuse and a number of other incredibly delicate topics, and somehow BookTok turned it into their book of worship.

I was genuinely more concerned about those stolen croutons in chapter one than I was about anything else -- when Ryle would come up on the page, it took everything within me not to skip over his presence. He is a horrendous human being, and I still cannot fathom why he is so heavily involved in this book, especially with how Allysa and Marshall are just letting him be in their lives when they have first-hand knowledge of what he did to Lily. It's actually insane to me that they even let him into their home, where they have their own child, and have him there as if he is not an abusive POS.

Marshall is slightly better than Allysa -- he acknowledges the pain and abuse that Ryle did to Lily, and verbally expresses that he hates what he has done to her, and that he is glad she was able to get out of the marriage. However, he is still walking a very thin line of enabling an abuser, so he is the doghouse with the rest of them when I was over halfway done reading. He definitely got better by the end of the book, and same with Allysa -- I am glad that they came to their senses and finally recognized Ryle for the nightmare that he is.

I just want to sit back, relax, and enjoy my evening... when all of a sudden I hear this agitating, grading voice. This was me every single time Ryle had the audacity to open his mouth or even look in Lily's direction. He really was screaming on a rooftop because of the middle name Lily chose for her daughter -- get a life!! I spent the entire book wishing that Ryle would get taken out by a bus or that he would just up and disappear, never to be heard from again. He continuously becomes more and more of a pest the further the book goes on -- threatening Lily, nearly assaulting her in her own home, physically assaulting Atlas at his place of work... the list goes on and on.

The addition of Josh was nice for Atlas -- finally seeing him have a family member that is not a complete and utter disgrace was refreshing. I did think that it was pretty obvious from the beginning that the person breaking into his restaurants would end up being his brother, especially when it was mentioned that it was a teenager. Character development for Atlas did not really have anywhere else to go, so with the introduction of Josh, it made it seem that Josh was there to show that he was a mature adult. Which was not at all surprising -- he owns two restaurants, he kind of has to be mature.

Hoover seriously needs to drop all of the buzzwords that are dating her writing -- I cannot believe I actually had to read the words "TikTok" and "Boomeniall" with my own two eyes. I am begging her to stop. And just when I thought I could clear those Ellen letters from my memory, she brings them back in full force. I understand that those letters are important to Lily's character, but we seriously could have let her find a new outlet in life, rather than write to Ellen.

I finished this book with more of a "meh" feeling than I wanted to have. I am glad that Lily and Atlas got the happy ending that they deserved, but the entire story leading up to it felt rushed and haphazardly thrown together in order to appease the BookTok fans who only just discovered her books in the past year. As you read, you know exactly what is coming, so there are no surprises that you would expect reading one of Hoover's books, and fell a little flat.

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Number One Chinese Restaurant by Lillian Li Review

This review does not contain spoilers for Number One Chinese Restaurant.

As someone who worked in a Chinese restaurant for seven years as a summer job, I was very excited to read this book, not only to see if my experience was reflected in this work, but also to see what inner workings were going on in this family-run restaurant.

It took me a few chapters to really get into the book, and once I was able to devote time to sitting down and reading it at length rather than in small increments, I was immersed into the story. We are immediately placed into the restaurant and already you can feel the tension in the room, especially between the waitstaff and some of the family members that have been there for decades. 

The author slowly introduces us to some of the main family members, but as readers it is our responsibility to understand who the employees are and what they do at the restaurant. This was certainly made it easier with having the family tree inside the cover of the book to look back to when I was not sure who characters were referring to or if we were being introduced to someone new.

Jimmy and Pang are our two "black sheep" family members/acquaintances that prove to be trouble early on in the book. Their arrangement with the restaurant and involvement in not-so-legal activity quickly becomes more than just their problem -- it becomes a problem for the family and the employees of Beijing Duck House. As we progress throughout the book, we learn more about both of their pasts and what they have done that has led them into the situations they are in today. The more we uncover about the characters, the more "in the family" the reader feels, as they are slowly learning some family secrets.

Nan and her son, Pat, have a complicated relationship built on mild abandonment and resentment not for one another, but for the restaurant. We are exposed to a lot of their arguments and constant instigating each other as tensions rise after tragedy strikes Beijing Duck House. Nan does not approve of the choices that Pat makes, but she is shown to always be trying to do her best and make the situation better.

The dynamic between Nan, Michelle, and Jack is somewhat surprising yet comforting in a way. We are able to seem the relationships between Nan and Michelle, Nan and Jack, and Jack and Michelle evolve and learn more about them as the story progresses. While the author places more focus on Nan and Jack's relationship, she is able to incorporate all of their involvement in an organic way that does not feel overwhelming.

Towards the end of the book, it starts moving at a quicker pace and we see the fallout of the Beijing Duck House tragedy and the development and consequences of Li's characters and their actions. We see the repercussions of the characters' choices and actions, and a small time jump is able to bring closure to many of their struggles. Number One Chinese Restaurant ties in the complications of working with family and challenging loyalties.

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