This is a spoiler-free review!
Going into this book, I had a different idea of what the tone and focus of the story would be -- and I was pleasantly surprised on how much I enjoyed the formatting of this classic. Stoker utilizes diary entries, journaling, phonographs, and newspaper articles to string together Jonathan Harker's encounter with Count Dracula, and the consequences that followed. The use of multiple perspectives of side characters in addition to Jonathan allowed the story to unfold and the reader is able to see the true outcome of Jonathan's stay with the Count.
There were a few points in the story where I felt as though Stoker was losing his audience, and I found myself pushing through side plots that only aided the main story for a brief moment. The majority of the book, to my surprise, takes place in both England and in Transylvania, with a number of locations as the tale moves back and forth between Jonathan and his wife, Mira, as she waits for his return home. Rather than focus on the environment or surroundings in this story, it was more so the emotions that took precedence as the characters sought to protect themselves from tales of the undead.
Introducing a number of side characters to Jonathan's story, Stoker is able to give the reader a more enhanced understanding of the way society viewed the lore of the Count. With Mira's letters and diary entries, along with Dr. Van Helsing and numerous other individuals, readers are truly given the full perspective -- if only we were able to have a single chapter from Dracula's point of view. There were times where chapters from Mira's entries felt as though they were taking away from Jonathan's story, and I was frustrated with the focus being turned to her worrying about him for forty pages instead of actually seeing what was going on with him and Dracula at his estate.
Humor is sprinkled in throughout the story, and while sparse, it does make the characters more enjoyable and personable, especially for the characters that do not have nearly as many dedicated chapters to their thoughts and diary entries. Some of the reasoning of solutions that characters would come with in order to protect themselves were downright hilarious, especially when claiming a string of garlic was actually a flower necklace.
As far as pacing goes, it takes a minute to readjust yourself to the language of the story, but a few chapters in and you will have the hang of it in no time. When Jonathan was while Dracula, the story moves quickly and entices the reader, but I found myself losing a touch of interest when we abandoned Dracula and moved to a new subplot. Once Dracula was no longer the main event, the story began to drag on and the last 15% of the book was tough to push through, but I was determined to see this classic to the end. I wish Stoker had expanded more on Jonathan's experience with Dracula, rather than only showing their interactions briefly compared to the aftermath.
An excellent piece of gothic literature that explores the horrors of men and monsters while remaining open to interpretation regarding the true nature of violence and society. A true classic and essential piece to truly understand the genre as a whole as well as one of the most popular characters in horror.
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